reading

The Convenience of Teaching Difficult Texts

close-up photo of a doll with blue eyes

My classroom tends to feature a lot of group and class discussion. This semester's first novel was Salmon Rushdie's The Satanic Verses, a 576-page tome full of complex allusions to recent Indian politics, the foundation of Islam, and the Western literary canon. The second book is Toni Morrison's The Bluest Eye, a slim 216-page novel dealing with Jim Crow era America. Unexpectly, I'm finding that Rushdie, not Morrison, most encourages classroom discussion.

Administering What All Students Dread: Reading Quizzes

Cartoon Pencil fighting cartoon computer

I have spent a lot of time this semester thinking about how to best encourage my students to do the reading, in addition to how to prep them for class discussion of the material. I have decided upon reading quizzes/prep assignments during the first 10 minutes of class. I came to this conclusion after a few student evaluations and some colleagues told me about how successful this technique is for ensuring more students are ready to add to the conversation.

Truthiness and Consequences: Balancing the Content-Driven Rhetoric Classroom

Photo of Stephen Colbert waving a flag above a crowd with the words Listless Students? Relax, Bro. I Got This.

When I decided to make my rhetoric and writing course about “truthiness” as Stephen Colbert defines it—something that “feels true,” without needing to rely on pesky facts—I thought I knew what I wanted to do with it. I wanted to be in a networked computer classroom, to break down the barriers between the classroom and the homework. I wanted a course blog so students could practice writing in a variety of modes, and have the chance to see what their classmates were doing and thinking, and to establish more connections between classroom and individual learning.

Digital Romantics: Wordsworth, Coleridge, and "Radiant Textuality" in the classroom

Caspar David Friedrich's painting Wanderer Above the Sea of Fog with Internet logos in the distance

I’m teaching E 314L: “Reading Poetry” this semester, with a fantastic set of students of all levels of proficiency who really like to dig into the big issues motivating our poems.  Early in the semester when we read Donne and other metaphysical poets, our classroom discussions often coalesced around two or three centers of gravity for each poem.  Though opinions and readings about what the poems are up to might be divergent, we could normally, as a class, agree on a few choice passages as the cruxes for making meaning.

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